That is not accidental. He almost never drinks alcohol. He tries to sleep eight and a half hours a night, with a focus on his prime R.E.M. sleep hours. His postmatch gym and stretching routine sometimes looks as hard as a normal person’s workout.
It is also difficult to argue that there is a sounder, more developed brain in tennis. Djokovic long ago redrew the angles of the game, finding new shots to hit and new ways to win matches and titles, becoming the world’s top-ranked player in an era when Roger Federer, Rafael Nadal and Andy Murray were making that as hard as it had ever been. These days, he changes the pace and rhythm of points with ease, like a baseball pitcher mixing in fastballs, curveballs, sinkers and changeups in every at-bat. And then he uses a serve-and-volley like a player from the 1980s, just to make sure everyone knows he can do that, too.
He has spent years trading notes on mental fortitude with superstar athletes in tennis and other sports — Boris Becker, Kobe Bryant, Zlatan Ibrahimovic, to name a few. He meditates. He knows how to focus when he needs to like no one else. He has played five tiebreakers in this tournament without making an unforced error.
Approaching his 45th Grand Slam semifinal, Djokovic has become a master of the five-set format, its almost inevitable emotional dips and swings. He seems to spend the first set gathering information about his opponent. If he loses that set, as he did in the last two Wimbledon finals, or even the next one, no big deal. There’s still plenty of time.
“He’s always there, you know, he’s always pushing,” Khachanov said. “He always tries to find a way.”
Whether that will work against Alcaraz is Friday’s great mystery. Alcaraz has so far shown so many of the benefits of youth — speed, strength, power, the optimism of a player who has scarcely any bad days — and so few of the pitfalls. He plays with a kind of limitless joy and freedom that other players struggle to comprehend, in the same way they struggle to handle the velocity of his forehand and his unmatched improvisational shotmaking.
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