Meet Bach Mai, an American Couturier in Making

Mai was a teenager in Houston when he began making clothes for his cousin and friends. In Texas in the high season Today, he’s 32, and he’s building his new label with the backing of Hurel, the imminent French textile supplier, in an arrangement that allows him to use materials “that young designers could only dream of.” A corded lace with a silver crystal holofoil treatment whose effect he describes as “intergalactic courtesan” stands out, as do the fil coupé organza jacquards based on the works Triumph of Galatea and the Green Paintings by his favorite artist Cy Twombly.

His bride wears another Hurel fil coupé organza, this one in white and matte silver, with Chantilly lace accents. “The most beautiful part of couture is the relationship between client and designer,” Mai says. “That’s why I want the heart of the collection to be these special made-to-order pieces.” Complementing the made-to-measure offerings are a sculpted-back bomber in silk moiré, boxy blazers and tear-away basketball shorts in transparent organza, and little moiré peplum tops and leather pencil skirts, a selection of which are now available by preorder on his website. Though they’re off-the-rack, they retain his couture’s unabashed femininity and irreverent glamour. The clothes are entirely made in New York.

“We do have the know-how here, the craftsmanship,” Mai says. “To help keep that alive and to build that back up is beautiful.” From his midtown studio he’s putting plans together to take his debut collection on the road. Texas friends are planning “couture Tupperware parties.” Back home in Houston, Mai’s parents are cheering him on. “My dad’s an engineer,” he says. “I learned from him how to break apart how things work. That’s why I’m so still fascinated by construction and how to put things together.” Step-by-step, his plan is to build the next American couture house.

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