Don Movie Review: Given that his strict father (Samuthirakani), or as he describes him, the “sirappana tharamana villain” in his life wants him to study hard, Chakaravarthi (Sivakarthikeyan), the protagonist of Don, decides that he’d rather make a name for himself without really studying. The film is all about whether this young man manages to figure out what he wants to do in life while being in a soul-sucking environmental – an engineering college. Adding to his misfortune is Boominathan (SJ Suryah), a faculty member in the college, who is even more of a disciplinarian than his dad!
With this Santhosh Subramaniam-meets-Nanban set-up, debutant director Cibi Chakaravarthi makes it possible for him to play to both the younger and older crowd. He smartly divides the film into two halves – the first-half for the youth, the second-half for the family audience. Yes, we see how calculated this approach is, which makes Don less of a coming-of-age story and more of a commercial entertainer, but the director manages to succeed.
For the most parts, the film is built around the conflict between Chakaravarthi, the college’s Don, and Boomi, and Sivakarthikeyan and SJ Suryah’s lively performances make these portions come alive. The moves and counter-moves that the two come up with to bring down the other results in quite a few fun moments, like the episode when Boomi arranges a parent-teacher meeting with Don’s father or when Don manages to put the teachers in the students’ shoes. This battle of wits is interspersed with a few moments of romance between Don and Angayarkanni (Priyankaa Mohan), which is sometimes cute and at times cringy.
Things veer into the sentimental territory in the final portions and do get dangerously close to treacly melodrama, which is tonally off from the light-hearted tone we get until then, but thankfully, it doesn’t derail the film. That said, the emotions it makes us feel in these scenes don’t feel well-earned as it tries to pass of toxic parenting as a form of ‘untold love’. While the line about parents figuring out raising their child by trial and error rings true, it is hard to buy the film’s attempts to turn Don’s father into an endearing figure, given the way the character treats his son until then.
Nevertheless, Cibi Chakaravarthi’s conviction carries the film over the finishing line and ensures that despite his some what formulaic treatment of this material, the film remains largely entertaining.
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