Manoj Bajpayee’s Sirf Ek Bandaa Kaafi Hai respected the victim Nu’s privacy reveals writer Deepak Kingrani | Hindi Movie News – Times of India

Deepak Kingrani, the writer of the critically acclaimed film “Sirf Ek Bandaa Kafi Hai,” featuring Manoj Bajpayee, recently discussed his approach to handling sensitive subject matter while respecting privacy. The success of the film, which initially premiered on OTT platforms but later secured a theatrical release due to public demand, is a testament to its popularity.
In an interview, Kingrani shed light on his careful handling of the film’s core theme, which revolves around the POCSO (Protection of Children from Sexual Offences Act, 2012) and a complex interplay between a lawyer and a godman. Recognizing the novelty of the POCSO law, Kingrani emphasized the need to fully comprehend its implications within the context of the narrative. Although loosely inspired by a godman, the writer admitted feeling a sense of intimidation due to the charged atmosphere surrounding the subject matter and the behaviors exhibited by individuals involved. Nonetheless, he remained committed to preserving the authenticity of the story, understanding that any deviation could dilute its essence.
One aspect that has drawn criticism is the limited portrayal of Nu’s emotions, the victim at the center of the case. Responding to this concern, Kingrani explained that his intention was to highlight the protagonist’s relentless pursuit of justice on Nu’s behalf. Since Nu, unable to defend herself, required representation and a voice to bring her plight to the world, the focus remained on the person who undertook this significant effort. The audience’s understanding of her suffering is implicit in the narrative, skillfully conveyed by the character of Bandaa. The writer deliberately refrained from exploiting Nu’s vulnerability or subjecting her to further embarrassment, which he deemed voyeuristic and unnecessary. Respecting her privacy became paramount in portraying her story authentically.